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Our articles about the LA-based pop band “Lights Over Paris” have attracted a lot of attention. Read the articles below to see why.

‘I’m not a Gangsta’ (ft. Game): Greatest Song Ever Written

Help Me Crack The Code – “Lights Over Paris

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Adventures in Pattern Making

+TRANSMISSION BEGIN+

A few months ago, I signed up to get access to Art Babble.

Art-Bab-ble [ahrt-bab-uhl]
noun; verb (used without object) -bled, -bling

1. free flowing conversation, about art, for anyone.
2. a place where everyone is invited to join an open, ongoing discussion – no art degree required.

A few weeks ago I was accepted. YAY!
I started checking out their content, most of which is from libraries, museums, and various other public/private institutions. My interest in pattern making was spawned, sparked, and secreted (…ew…wrong word) after watching the New York Public Library’s series entitled “Design by the Book“.

For this online-only miniseries, Design by the Book, the Library partnered with the leading design blog Design*Sponge to invite five New York City–based artists to sift through our collections in search of inspiration.

One of those artists was Julia Rothman.
An illustrator, pattern maker extraordinaire.
After some searching, I found this entry by her on designsponge which explains the very basics of how to make a pattern.

This is my attempt at making a one using PS CS4.
My focus: The famous Italian film star: Marcello Mastroianni (8 1/2, La Dolce Vita)

First things first.
mmpsize
While you can use any box shape for patterns, I decided to keep it simple with my first go around.

For the Ruler (personal preference) I set my median X, Y values at zero instead of at one.
mmpruler

Now that my surface is ready to go. All I need to do is set the mood with a little Beethoven.
goog
Overtures like that get my… creative juices flowing.
So powerful.
But after his openings, to be honest, he does tend to get a little fucking boring.
BRING ME EVERYONE! EEEVVVVVEERRYYYYOONNNEE!!!!
symphony29nw

Ok, but seriously. I tried to set the mood with some Nino Rota, but soon realized it wasn’t working out because it was little too carnival-esque. Next best thing, John Barry’s score to Goldfinger.
goldfinger

Then I just started drawing. Making sure not to touch the edges and to stay somewhat in the middle of the space.
mmp02
A little Marcello here…
mmp03
A little Marcello there (plus ladyfriend)…
mmp04
And VWALA! We have our base design to start from. Now, following Julia Rothman’s how-to, I need to split this illustration into four quadrants.

mmp05
I found the best to way to achieve this was by creating guidelines and then using the marquee tool and Command+J (MAC) to split them.
mmp06
Next, move each quadrant into their polar opposite positions.
mmp07
TA-DA! Obviously, it doesn’t take a rocket scientist to see what’s going on here. At this point, I’m following the same principles as before: No Edges/Stay Centric.

PROBLEM! At this point in my process I had an extreme creative block. I tried putting on some Barry.
barry
No dice.

Tried some Air.
surfinonarocket
Still no dice.

TOTAL CREATIVE BLOCK!!

Solution:
CHINESE FRIED RICE W/PORK!
Never illustrate on an empty stomach.

+++2 HOURS of Illustration Later+++

I tested the pattern to see how it would look and noticed that there was some dead space at the top of Marcello’s head (as well as his necktie – see below). There was also dead space to the right and left.
mmp08
At first I tried to do it by tweaking the tops and bottoms.. but when working with patterns, I realized pretty quickly it’s best to never mess with the edges and to use the marquee/command-j function instead. Or at least, it’s the best way I could figure out.
mmp09
After splitting the image across the X axis and moving/re-merging it, I came up with this work-around for the tie/hair situation. Not exactly my finest hour, but I think it’s doable. Now onto the other dead space I mentioned earlier (which in the above-image is located at each of the four corners.)

mmp10
Command+J again.
Dead space bad. Must fill.
One thing I noticed that’s difficult about making patterns is trying to get a sense of the composition as your building/adding elements. You’ve really got to see and think of things in terms of infinity.

mmp11
There you are! My little Marcello.. AWWWWWW… Look at my lil Marcello… AWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWWW…

….

Here’s what the semi-final pattern looks like.
mmp12
After some initial testing I decided to shrink the pattern in half.

Here it is:
mmpfinal
Feel free to tile your desktop with it.
Or, if you’re super-lazy, here’s a 1900x1200px wallpaper for you.
marcellowp
(just click the image for the full rez)

Overall, this process wasn’t too bad for me. The main issue I had was trying to figure out the composition as I was creating the piece. I imagine it would have helped to do some better concept planning before hand as well as constructed similar sized elements. Perhaps I’ll also add some color next time.

This is Dr. Salvatron broadcasting live from my personal studio in Wicker Park.
You’re comments/critiques/suggestions are quite welcome!
+TRANSMISSION COMPLETE+

Comments

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  1. Dr. Hyperbolus
    May 11, 2009 Reply

    The Marcello Plaid! This is really cool. I especially like the crop of smaller Mastroianni’s you’ve collected along the side. That picture you have of him nibbling the girl’s chin was a good choice. It cleverly disguises the edge of your frame.

    Though I can see your point about the big Mastroianni’s necktie. It must be more difficult doing a pattern with just Marcello heads. I was going to ask about color too before I saw your last sentence. Maybe it helps to create these with the idea of coloring in mind.

    Chinese fried rice with pork? Hilarious. Great post, doctor.

  2. Dr. Novachord
    May 12, 2009 Reply

    Rockin! Did you trace all of the faces? I should crack out the Wacom myself…

  3. Dr. Salvatron
    May 12, 2009 Reply

    For the most part yeah. I have a hard time getting them to come out exactly right though. I still havent found the perfect brush for myself yet. Permanent Marker is still my favorite brush.

  4. Dr. REWind
    May 14, 2009 Reply

    That’s why photoshop is so fun. There are a ton of brushes to use, especially when you’re screwin’ around with tablets and what not. I rarely have to use any brushes considering my painting techinique is VERY limited, I usually stick to cel shading.

    The composition of this piece is off the chain. I love the style, and the feel of it all. I’d shoot myself with frustration attempting something like this.

  5. Plaid Creature» Blog Archive » Paint Brush Coloring Book
    May 18, 2009 Reply

    [...] week, I will try to combine elements from this post with what I learned during the creation of my Adventures in Pattern-Making entry to create a bright/colorful pattern for the masses. Following Dr. Novachord’s post [...]

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